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Amplitube 4 free full version pc 32 bit.IK Multimedia
Upgrade to AmpliTube 5. Hyper Realistic Tone Get ready to have your mind and ears blown. Big Live Room. Studio A. Studio B. Stomp FX placed into Rack section. Stomp FX placed into Rack section - Edit mode. Rack FX placed into Stomp section. Rack FX placed into Stomp section - Edit mode. How it works Chances are, you already know how it works. Infinitely expandable AmpliTube 4 comes with the built-in Custom Shop gear store feature that allows you to add gear to your collections any time a-la-carte or via collections.
Gear Selection First and foremost, AmpliTube is all about the gear. New British models AmpliTube 4 welcomes 5 new classic amplifier models to the mix representing some of the best British tones from the 70s, 80s and 90s.
Effects Loop New in AmpliTube 4 is an additional slot in the signal chain right after the amplifier pre-amp section but before the power stage. Below are all the gear models you can add to your rig through Custom Shop. An iconic distortion pedal that has stood the test of time. This model alters the sound of the input signal by changing the sample-rate, cutoff frequency and by distorting it.
This effect can produce very aggressive distorted sounds, more pronunciated than overdrive stompboxes. The Low pass filter is very creative when combined to high distortion levels. First produced in , this is one of the most versatile distortion boxes ever made. From subtle crunch to complete mayhem, this pedal has been used by countless guitarists of all styles. This hard-to-find vintage unit includes a built-in oscillator for infinite sustain. Hold notes to create amazing synth-like sounds or boost solos for more cutting tone, combined with classic distortion tones.
Nothing compares to this pedal for pure distortion mayhem. From subtle to over-the-top, the SD-1 pushes amps harder without sacrificing clarity and tone.
It's basic controls make it easy to dial in the exact sound you want. One of the most versatile distortion boxes ever. From smooth, light crunch, to extreme shred sustain and over-the-top gain, this pedal has been a classic ever since its release in the early 80s. This pedal is a model of a beloved 80's-era distortion pedal by a company known for making amps with amazing distortion.
This model packs a whole powerful amp into a single stomp box. This effect is a model of a classic high end compressor. It is capable of mild compression or intense signal slamming, and does it all with a tremendous amount of finesse. This model is a clean, highly effective 1 octave graphic equalizer, capable of fine tuning and dialing in that perfect tone.
This is a clean sounding band graphic EQ. This stomp is an advanced filter effect. It uses the envelope of the incoming signal to control a synthesizer style filter. It is capable of sounds ranging from very simple auto wah effects to extreme never before heard filtering effects. This complex stomp effect uses an LFO to modulate the frequency of its filter.
With the included BPM sync this is a very useful effect for creating interesting, moving guitar parts with a minimum amount of trouble. Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar.
A unique effect that can add synth-like drones and sustaining resonances to your parts. Set up the scale you want the resonances to sing on and control the notes with your controller to create arpeggios and steps while playing.
A powerful and deep beat synced filter effect. This will make your guitars and bass parts to sound like a rhythmic synth, if you want it! This effect is modeled after the classic wah pedal used by many of the top players from the 60's and 70's. In addition to the wah effect it also features an auto function, allowing it to be used easily without an external controller. This is a new exciting feature. This is a faithful rendition of a very sought-after wah pedal.
Based on a multiple feedback opamp circuit, the pedal modeled here is a very expressive and unique wah pedal. This is considered to be one of the best sounding wah-wahs of all time. Jimi Hendrix used many fuzz box units like this vintage model which adds to the powerful sound palette that AmpliTube 3 can offer.
This effect is modeled after a classic germanium transistor fuzz stomp effect. Typically used on lead guitar, this effect has remained a popular distortion effect throughout the years. This classic germanium transistor fuzz effect was the main fuzz box used by Jimi Hendrix. Often combined with a wah, this effect produced permanent sustain and endless distortion.
Hendrix began using this fuzz box while playing in New York City before founding the Experience. A highly sought-after, rare fuzz box, it was one of the first commercially available floor effect units, making its first appearance in One of the most flexible flangers ever made, the BF-2 delivers everything from classic tape flange to over-the-top sweeps, vibratos, chorus and more! Perfect for adding classic metal-style flange to your rig. It provides both analog Chorus and analog Vibrato effects, when in Chorus mode the modulation will be lush and slow, when in Vibrato effect the modulation will be faster and more noticeable.
While it has amazing warmth, it is also capable of very versatile chorus and ring modulation type sounds. Still, no flanger is more recognizable, making this perfect for hard-rock and metal tone.
This effect is one of the most popular phase pedal of all times. Used by a wide range of first-class guitarists, this unit could add a little bit of shimmer to your solos or generate a smooth, watery effect while playing chords and muted strumming. Try the Phaze Nine on bass, keyboards or vocals. This effect is a model of a classic analog phase shifter, capable of a range of phaser effects from gentle to outlandish swirling effects. You may wonder why it is called "small" when you hear it.
This effect is a 3 voice digital harmonizer effect. More than just a pitch shifter, this pedal will create 3 separate harmony voices with independent interval values based on a musical scale.
Simply select the scale to use, select the voice and the desired pitch and play. The harmonized notes will be according to the selected scale. This stomp effect is modeled after a classic dual voice octave pedal. It will produce two additional sounds, one and two octaves below the direct signal. This effect shifts the pitch of the incoming signal. This new pitch shifted signal is blended with the original sound to create harmony guitar leads or other types of dual pitch effects. One of the most extreme effects of all time, the original Whammy is a costly vintage find these days.
From classic shred to the most aggressive modern metal, this is an essential part of any extreme guitar rig. Add programmed rhythmic parts to your power chords and phrases with this powerful and creative beat synced slicing effect. Can be setup to create anything from the most amazing tremolos to the most complex rhythm effects that always stay in perfect sync with the beat. This is an "auto volume" swell processor that can automatically create fantastic swell effects while playing without any manual intervention.
Use it subtly to add groove to your rhythm parts or use it with deeper settings to create dreaming pads or string-like sounds. It recreates the original distortion circuit, adding upper octave harmonic content to the direct signal and creating as a result a unique overdrive effect.
Moving the octave knob will double your direct signal one octave below the direct signal. In this way you can make your melodic lines richer and fuller, expanding the frequency range.
When in Chorus mode the modulation will be lush and slow. When in Vibrato effect the modulation will be faster and more noticeable.
This model is based on a classic analog delay with modulation stomp pedal. The auto option will produce the Wah effect automatically, meaning that there is no need for the manual intervention on the pedal position.
This effect is modeled after a vintage compression stomp pedal and can deliver a strong sustain and powerful compression with lots of character. This stomp is a highly developed filter effect. Essentially, it uses the envelope of the incoming signal to control a synthesizer filter.
You can enhance your bass tone adding from simple auto Wah effects to extreme filtering effects. Perfect for those who want to create instead of copying, with a bit of experimentation, this pedal can deliver a huge range of unique tones.
A classic volume control. A combination of a Fuzz-style distortion effect and a Wah pedal, this is two pedals in one. A Classic analog Phase shift effect as heard on countless recordings since the s. The rate control knob alternately illuminates blue and red at the same rate as the phase shifting. BPM sync function allows for automated effect syncing to your DAW tempo, or set your tempo manually to add that dramatic tremolo sparkle or darkness to your tracks.
Two distinct wah voices give this model a huge range of "wah-ptions. Adjust your effect frequency range with the minimum and maximum knobs, and control the amount of effect applied with the "wah" control and volume level knobs.
A very inspiring pedal that will also add dramatic effects to your bass lines. First introduced in the early s, this classic all-tube spring reverb unit is a must have accessory for all Surf players. Blues and experimental players love it, too. The Fender Reverb is capable of producing an incredibly lush or intense crashing Reverb effect due to its post-guitar, pre-amplifier signal path and unique tube driven output.
Increase your signal gain before it hits other effects and amplifier, or use it elsewhere in your pedalboard chain to create dramatic "attack" effects. This creative delay effect unit can be used to create interesting and unusual delay effects thanks to the 8 totally independent taps. You can create grooving rhythm patterns by combining more taps with a specific time signature, and you can mix this up with psychedelic reverse tape effects you are able to set for each tap.
It became famous through its use with keyboards. Filters allowed for low-pass, bandpass, and high-pass filter response which could be triggered from low to high frequency or vice versa. The T-Rex Mudhoney is designed for those looking for an in-your-face wall of sound jumping out of the speakers. The boost button and the tone knob give you the ability to dial in any sound you like from ultra fuzz to smooth jazz sounds. Antony Peel. Software languages. Author IK Multimedia. Updated Over a year ago.
Last revision More than a year ago. Cubase Elements Nag screen. Various features disabled. New in Amplitube 4. Load comments. Amplitube 4. All rights reserved.
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